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Rue verte concept store during 3 days of design 2025

Rue Verte | 3 days of Design 2025

If I were asked to give my top three stores and galleries to visit in Copenhagen, Rue Verte will always be on it. Founded in

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Lee Broom at Asia House during the exhibition, surrounded by minimalist design and curated objects.

Lee Broom at 3 Days of Design 2025 | From Here Now

For the 2025 edition of 3 Days of Design, British designer Lee Broom presented his new exhibition From Here Now at Asia House in Copenhagen.

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The exhibition at Studio Oliver Gustav’s neoclassical museum building from 1920 offers a striking backdrop for this immersive and atmospheric presentation bringing together the visionary artistry of Michèle Lamy and Oliver Gustav, framing the sculptural works of Rick Owens furniture

Rick Owens and Scarlett Rouge | Staging by Michèle Lamy & Oliver Gustav

After missing out last year visiting Oliver Gustav, I was so pleased to be able to visit again when I was in Copenhagen last week.

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Maison & Objet January 2025

The first fair of the new year, Maison & Objet. I loved last years January edition and spending three days in Paris the first day

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Industrial minimalism | Frama Rivet Collection

No need to tell you I have always been attracted to metal. Years ago I mainly wrote about industrial and raw spaces, early readers will remember

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Exploring The future of work at Orgatec 2024

Last week I visited Orgatec in Cologne which is the leading international trade fair for the future of work. The fair had an extended programme

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Stillness A book by Norm Architects

A new publication from favourite Norm Architects highlighting the centuries-old connections between the distinct design cultures, emphasizing mutual respect and shared philosophies.⁠⁠ At once an

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Denmark as partner country of imm cologne 2025 | Presstrip

Update: January ‘s 2025 fair has been cancelled See the brand new format for 2025 and 2026 in this new blogpost from December 13 :

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101 CPH at Design hotel ‘O’ Mykonos

Black might not be the first colour when you think of the Greek Island Mykonos. What comes to mind is the colour blue, shades of

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A new mood board for my kitchen

When you follow me here for some time you have seen me restyling my kitchen a few times. From an old kitchen I went to

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Pinch furniture | 3 days of design 2024 favourite

Celebrating their 20th year, London based Pinch exhibited their latest collection, along with some of its most celebrated highlights from their core collection. Alongside the

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A kitchen in anodized aluminium | V3 Vipp

No need to introduce Danish VIPP to you I guess, a welcome guest on vosgesparis over the last years. I had the pleasure to cook

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PART 3 With IT NEVER SSST, Miet Warlop transforms PART 3 With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
PART 2 With IT NEVER SSST, Miet Warlop transforms PART 2
With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
PART 1 With IT NEVER SSST, Miet Warlop transforms PART 1 With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
NEW ARTICLE ONLINE at vosgesparis.com 👉 In the art NEW ARTICLE ONLINE at vosgesparis.com 👉 In the article I share some of my thoughts on Venice… which I only visited before when I was a kid ✨ 

The week in Venice was primarily intended as an orientation for the Biennale; a great deal happens simultaneously in Venice in terms of festivals and cultural events. Not being familiar with the Biennale as I am with other design events, there were some things to learn. Looking back at it I can say that visiting the various national pavilions was what we loved most! The cordiale which you find at the end of this reel was not that much my thing…. Just to much different themes one after another… more about this in the article as well. 

I hope to share more about the other locations in the coming days Let me know your thoughts looking at the images or if you visited yourself …. if you made it to here reading Thank you 🙏
Next week, I’ll be heading to Cologne for ORGATEC Next week, I’ll be heading to Cologne for ORGATEC 2026 and a week of interior design across the city. 

From 27–30 October, @orgatec brings together international brands in workspace and contract design, exploring this year’s theme, From rooms to relationships: designing spaces in an ever-changing world.
For the first time, @designpostkoeln will also serve as an additional exhibition location for Orgatec, focused on workspace and contract solutions. At the same time, it is a central location for @idd_cologne which brings premium residential interiors to showrooms and design destinations across the city. 
Looking forward to seeing what’s new and sharing some highlights along the way. 

📍 Cologne @koelnmesse 
ORGATEC · 27–30 October 2026
idd cologne · 27–31 October 2026
 
ORGATEC, ORGATEC 2026, WorkspaceContractSolutions, RoomstoRelationships,  idd cologne, iddcologne2026, interiordesign, Design Post Köln, Office Design, Contract Design, Residential Interior Design, Interior Trends 2026, Design Trends 2026, collaboration #orgatec #orgatec2026
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© 2007-2026 vosgesparis is an online Interior & Design magazine with an international focus. Editorially curated from Amsterdam. Text & Images © vosgesparis, unless stated otherwise. banner image Neil Hugh Kenna

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