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Five lighting ideas for your bedroom | My home

After plastering the ceilings at home this Spring I still need to find the right lamps for my hallway, kitchen and bedroom. And after the

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101 Copenhagen | New Scandinavian brand to launch at M&O

101 Copenhagen is a new Scandinavian brand that will present its collection at Maison & Objet next week, and I love to give you a

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An urban jungle with NTRLK and Carolijn Slottje

After reading lots of positive reviews, thank you so much! I think i can say that building an atrium filled with plants was a really

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Choosing a wooden floor | Solidfloor™

Those who visited imm might have noticed I stept a bit out of the monochrome comfort zone you are used to see from me. When

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A black Studio in San Francisco

Hello on this first Monday morning in December and sorry the silence this last week, as you might have guessed I was in lost in

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New collection by STRING Works

It’s no secret I am a huge fan of the iconic String furniture line. I have showed almost every new collection on the blog, and

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Remy Meijers X Gelderland | New collection 2016

Leading up to IMM2016 I had the pleasure of working with Dutch company Gelderland and visit their showroom and factory where I got a sneak

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OCTOBER ✨ Almost end of Summer and two weeks in my OCTOBER ✨ Almost end of Summer and two weeks in my favourite country Italia 🇮🇹 Another great edition of EDIT Napoli with a presstour through Chiaia 🌦️ Lots of new design at La Santissima and a day at the seaside ☀️ Next Venice with a friend enjoying Italian breakfast, endless Canale Grande trips, the city and discovering La Biennale Arte …. Full weekends all month with inbetween an edition of Cabinet Amsterdam A day at  Dutch design week where my head was actually to full of impressions already to absurp any new ones.  And last but certainly not least a day at Cologne for ORGATEC which was really good and fun…..I think I have seen enough design for the rest of the year unless something really good comes along 🙄🤓🤣😉🖤 @edit.napoli @labiennale @dutchdesignweek @cabinetamsterdam @orgatec

Design, designfair, vintage fair, workspaces, art, biennale di venezia, #Editcult #editnapoli #ddw2026
This week I visited ORGATEC for a day and experien This week I visited ORGATEC for a day and experienced how offices changed from office grey into warm, inviting and comfortable spaces. A few things that caught my eye. 

👉Large organically curved sitting areas with space for meetings and a homy feeling spotted at @pedralispa @lapalmadesign @cor_sitzmoebel @muutodesign and @inclass_design who also brought the curves into their coloured desks. 

👉The use of warm wood in the office as seen at @stringfurniture @januamoebel @freifrau_manufaktur and @artisanlovewood and the beautiful curved Balea bench by @akaba.design 

👉Colourwise burgundy definitely dominated the fair and could be found literally everywhere. Together with all kinds of brown shades, deep green, cobalt blue and occasionally touches of light blue and lemon or butter yellow, these were the colours I saw most. 

👉Room for privacy with different phone & meeting boots, from enclosed pods to to colourful, upholstered semi-private hubs at among other @kettal @sedus_official @palmberg_bueroeinrichtungen @pedralispa and @frameryacoustics and of course the private pavilions at the special exhibition on the Eames Pavilion System by @eamesoffice x @kettal 

With the modular elements of @studio_molo privacy or temporary environments can be arranged without fixed walls. While brands like @slalom.acoustic and @buzzispace offered beautifully sustainable and aesthetically acoustic solutions. 

I truly had a great day and will post everything I saw in stories, in case you want to look back at them I’ll save them to my ‘orgatec’ highlight. 

ORGATEC, ORGATEC 2026, WorkspaceContractSolutions, RoomstoRelationships,  idd cologne, iddcologne2026, interiordesign, Design Post Köln, Office Design, Contract Design, Residential Interior Design, Interior Trends 2026, Design Trends 2026, collaboration #orgatec #orgatec2026 
@orgatec #orgatec2026 #ORGATEC collaboration
PART 3 With IT NEVER SSST, Miet Warlop transforms PART 3 With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
PART 2 With IT NEVER SSST, Miet Warlop transforms PART 2
With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
PART 1 With IT NEVER SSST, Miet Warlop transforms PART 1 With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
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© 2007-2026 vosgesparis is an online Interior & Design magazine with an international focus. Editorially curated from Amsterdam. Text & Images © vosgesparis, unless stated otherwise. banner image Neil Hugh Kenna

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