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New beginnings & looking back at 2018

Hello how are you all doing! I have been taking it slow over the last two weeks and enjoyed a little break from the blog.

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A beautiful raw and white photo studio in Hamburg

How was your weekend? In my case some are more active then other and last weekend I mostly spent at home in front of my

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Menu SS18 collection favourites

In a previous blogpost I shared the brands I selected for my ‘New Scandinavian tour’ written for visitors of imm Cologne last month, that gave

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Join us at The Hoxton design event on February 4

showroom of one of our selected brands for the Hoxton space It has been a long time since I wrote so few blogs in one

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Mae Engelgeer X Fest Amsterdam | CRUSH Collection

FEST Amsterdam was founded in 2013 from a personal need for well designed furniture without the high-end prices and has quickly become a brand known

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Macaron table light by Brokis | Milan design week 2017

Earlier this year I had the pleasure to work with Brokis for the trendstand I designed on commission of IMM Cologne , you might remember the

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LA Santissima during Edit Napoli 2025

EDIT Napoli 2025 Where Design Meets the Soul of Naples

Just back from Napoli, where the seventh edition of Edit Napoli took place from October 10 to 12. Sometimes it takes a coincidence to discover

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Exploring The future of work at Orgatec 2024

Last week I visited Orgatec in Cologne which is the leading international trade fair for the future of work. The fair had an extended programme

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A beautiful organic shaped bathtub by Agape

Those who read my Milan design week reports know that when in Brera, one of the first showrooms I visit is that of Agape. See

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A minimal bronze partition wall in a high end apartment | Trends ’19

After London based Ula Burgiel had been asked to design a serene and spacious home in the heart of Manhattan, she took the view from

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SCOOP | A sneak peek of the NORR11 SS19 collection

I was first introduced to NORR11 a few years ago in Iceland, I visited the county twice and felt so at home in Reykjavik, the

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Bentwood cafe in a former Thonet showroom

Thonet celebrates its 200th anniversary this year and on the occasion of this the Hamburg Studio Besau Marguerre has given a new twist to the

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OCTOBER ✨ Almost end of Summer and two weeks in my OCTOBER ✨ Almost end of Summer and two weeks in my favourite country Italia 🇮🇹 Another great edition of EDIT Napoli with a presstour through Chiaia 🌦️ Lots of new design at La Santissima and a day at the seaside ☀️ Next Venice with a friend enjoying Italian breakfast, endless Canale Grande trips, the city and discovering La Biennale Arte …. Full weekends all month with inbetween an edition of Cabinet Amsterdam A day at  Dutch design week where my head was actually to full of impressions already to absurp any new ones.  And last but certainly not least a day at Cologne for ORGATEC which was really good and fun…..I think I have seen enough design for the rest of the year unless something really good comes along 🙄🤓🤣😉🖤 @edit.napoli @labiennale @dutchdesignweek @cabinetamsterdam @orgatec

Design, designfair, vintage fair, workspaces, art, biennale di venezia, #Editcult #editnapoli #ddw2026
This week I visited ORGATEC for a day and experien This week I visited ORGATEC for a day and experienced how offices changed from office grey into warm, inviting and comfortable spaces. A few things that caught my eye. 

👉Large organically curved sitting areas with space for meetings and a homy feeling spotted at @pedralispa @lapalmadesign @cor_sitzmoebel @muutodesign and @inclass_design who also brought the curves into their coloured desks. 

👉The use of warm wood in the office as seen at @stringfurniture @januamoebel @freifrau_manufaktur and @artisanlovewood and the beautiful curved Balea bench by @akaba.design 

👉Colourwise burgundy definitely dominated the fair and could be found literally everywhere. Together with all kinds of brown shades, deep green, cobalt blue and occasionally touches of light blue and lemon or butter yellow, these were the colours I saw most. 

👉Room for privacy with different phone & meeting boots, from enclosed pods to to colourful, upholstered semi-private hubs at among other @kettal @sedus_official @palmberg_bueroeinrichtungen @pedralispa and @frameryacoustics and of course the private pavilions at the special exhibition on the Eames Pavilion System by @eamesoffice x @kettal 

With the modular elements of @studio_molo privacy or temporary environments can be arranged without fixed walls. While brands like @slalom.acoustic and @buzzispace offered beautifully sustainable and aesthetically acoustic solutions. 

I truly had a great day and will post everything I saw in stories, in case you want to look back at them I’ll save them to my ‘orgatec’ highlight. 

ORGATEC, ORGATEC 2026, WorkspaceContractSolutions, RoomstoRelationships,  idd cologne, iddcologne2026, interiordesign, Design Post Köln, Office Design, Contract Design, Residential Interior Design, Interior Trends 2026, Design Trends 2026, collaboration #orgatec #orgatec2026 
@orgatec #orgatec2026 #ORGATEC collaboration
PART 3 With IT NEVER SSST, Miet Warlop transforms PART 3 With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
PART 2 With IT NEVER SSST, Miet Warlop transforms PART 2
With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
PART 1 With IT NEVER SSST, Miet Warlop transforms PART 1 With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
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© 2007-2026 vosgesparis is an online Interior & Design magazine with an international focus. Editorially curated from Amsterdam. Text & Images © vosgesparis, unless stated otherwise. banner image Neil Hugh Kenna

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