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Looking into wooden design tables | Pilat&Pilat

My grandmother on my father’s side was a strong lady with her own shop in the Amsterdam area ‘De Pijp’. Descended from Frisian ancestors, a

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Apparatus New York City

Apparatus Gallery in New York City

I previously showed you the spaces Apparatus created in Los Angeles and Milan, have a look here if you missed my previous articles about these

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A new website and collection by Arno Declercq

If you are a regular reader, you have seen different articles about Arno Declerq, if you are not familiar with his work, have a look

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Obscura collection by Colin King for Beni Rugs

I have seen many rugs over the years at the different fairs and especially during my work for Domotex over the last five years I

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Bags and Pottery by Taiwanese Kamaro’an

In 2018 I visited Ambiente fair. Although I was really ill and forgot to add some make-up the days I was filmed and worked together

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A metal partition wall in a minimal home

One of the articles I got emailed most about lately is the one where I show a wooden room divider: One size fits all room

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Krafitzen collection by Cosentino

During Glue, a small Amsterdam Design Festival earlier this year I visited Cosentino City where I already got a glimpse of the new Kraftizen collection

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A gentle dance between warmth and minimalism by Zachit

In one of my previous posts I showed you some projects by Zachit Tshuva. An earlier post about a beautiful monochrome home is still really

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Gitane Gallery at Casa Gitane

Inspired by the undisputed beauty of galleries in the most loved art capitals. Gitane Gallery is a combination of an art gallery and soulfully hand-selected

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How to create an Italian style sitting area with Acerbis

Have you, like me, ever thought about what your home would look like if you changed your current style to the opposite of what you

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Visiting Carl Hansen & Søn HQ in Gelsted Funen

After a fun and interesting first day in Copenhagen on invitation of Carl Hansen & Son, read all about that in my previous post: Two

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Dutch Design Week Instagram Highlights 2022

During Dutch Design week I visited a wide range of exhibitions and presentations across Eindhoven. I covered selected brands and locations, and many impressions were

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PART 3 With IT NEVER SSST, Miet Warlop transforms PART 3 With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
PART 2 With IT NEVER SSST, Miet Warlop transforms PART 2
With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
PART 1 With IT NEVER SSST, Miet Warlop transforms PART 1 With IT NEVER SSST, Miet Warlop transforms the Belgian pavilion into a charged arena where language, music and collective disorientation collide. Plaster words circulate through the space: carried, passed along, dragged and broken. Musical characters sing and search for meaning within these unhinged fragments, which together form the lyrics and emotional score of this exhibition-performance. A group of musicians and dancers move through a turbulent atmosphere marked by a growing sense of doom. Through a series of absurd and physical rituals, they keep going, resisting resignation and stillness.

This vision of the world mirrors our own, wavering between despair and the urge to transcend it into something meaningful and more beautiful. Warlop’s high performing, energetic and creative characters grapple with the threat of overload, at times revealing their breaking points. They navigate a spiralling world in which words themselves lose stability and sing towards that vulnerable threshold in a language that is felt rather than understood. The pavilion is never fully silent, even when the performance ends. The words left behind resonate as a poetry of chaos. Scattered across tribunes that climb the walls, they stand frozen in time. Like remnants of a prayer wall or a karaoke machine from a vanished civilisation, they await new voices in pursuit of human connection. TXT Biennale official site

Commissioner: Caroline Gennez, Flemish Minister for Welfare and Poverty Reduction, Culture and Equal Opportunities
Curator: Caroline Dumalin (MORPHO)
Exhibitor: @miet_warlop 
@labiennale
NEW ARTICLE ONLINE at vosgesparis.com 👉 In the art NEW ARTICLE ONLINE at vosgesparis.com 👉 In the article I share some of my thoughts on Venice… which I only visited before when I was a kid ✨ 

The week in Venice was primarily intended as an orientation for the Biennale; a great deal happens simultaneously in Venice in terms of festivals and cultural events. Not being familiar with the Biennale as I am with other design events, there were some things to learn. Looking back at it I can say that visiting the various national pavilions was what we loved most! The cordiale which you find at the end of this reel was not that much my thing…. Just to much different themes one after another… more about this in the article as well. 

I hope to share more about the other locations in the coming days Let me know your thoughts looking at the images or if you visited yourself …. if you made it to here reading Thank you 🙏
Next week, I’ll be heading to Cologne for ORGATEC Next week, I’ll be heading to Cologne for ORGATEC 2026 and a week of interior design across the city. 

From 27–30 October, @orgatec brings together international brands in workspace and contract design, exploring this year’s theme, From rooms to relationships: designing spaces in an ever-changing world.
For the first time, @designpostkoeln will also serve as an additional exhibition location for Orgatec, focused on workspace and contract solutions. At the same time, it is a central location for @idd_cologne which brings premium residential interiors to showrooms and design destinations across the city. 
Looking forward to seeing what’s new and sharing some highlights along the way. 

📍 Cologne @koelnmesse 
ORGATEC · 27–30 October 2026
idd cologne · 27–31 October 2026
 
ORGATEC, ORGATEC 2026, WorkspaceContractSolutions, RoomstoRelationships,  idd cologne, iddcologne2026, interiordesign, Design Post Köln, Office Design, Contract Design, Residential Interior Design, Interior Trends 2026, Design Trends 2026, collaboration #orgatec #orgatec2026
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© 2007-2026 vosgesparis is an online Interior & Design magazine with an international focus. Editorially curated from Amsterdam. Text & Images © vosgesparis, unless stated otherwise. banner image Neil Hugh Kenna

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